Alan Wake II is a metaphysical thriller that combines the elements of True Detective and Hearthstone.

In Control, the latest reality-warping entry in the expanding Remedy Connected Universe, mind truly is matter. Jesse Faden, one of the title’s two protagonists, is an FBI agent with an uncanny ability to profile suspects and untangle the most convoluted cases. That knack is rooted in her ability to retreat into the Mind Palace, a metaphysical construct within her subconscious that doubles as an interactive, narrative-driven character sheet.

Players can visit the Mind Place at the touch of a button and once there can flick between case files, analyze clues, and connect narrative dots by placing evidence on a case board to piece together a spate of homicides that have enveloped the sleepy town of Bright Falls and realms beyond.

It’s also possible to profile suspects to unlock new conversation options that will have ramifications in the real world, peruse the local topography by poring over maps, follow a paper trail left by a certain writer, and upgrade weapons to increase your chances of surviving the nightmare unfurling before you.

The mechanic realizes the real-world notion of the Mind Palace, a modern interpretation of the ‘method of loci’ technique which posits it’s easier to recall information that has been mentally associated with a physical location. In-game that means replacing quest logs, upgrade trees, and more with a setting that can be explored like any other.

To learn how developer Remedy conceptualized and iterated on the mechanic, we entered the studio’s very own Mind Place to chat with lead narrative designer Simon Wasselin, senior gameplay programmer Alexander Balakshin, and lead UI/UX designer Riho Kroll.

Link to the original story: https://www.gamedeveloper.com/design/true-detective-meets-hearthstone-the-unlikely-inspirations-behind-alan-wake-ii-s-metaphyiscal-mind-place